My Notes on Fragile Dreams: Farewell Ruins of the Moon

I highly recommend playing the game before reading this post.   My intention is to share my interpretation of the game which may differ from yours.

I bought this game seven years ago and I finally beat it. The content of this game is quite mature but with light gameplay, which is both suitable for adults and children.  Perhaps, I am a child at heart but I really prefer the simplistic gameplay approach, especially when the story is the focal point.  Fragile Dreams: Farewell Ruins of the Moon is about a boy’s journey towards finding warmth in the post-apocalyptic world. It has a typical story but it took advantage of the video game medium to produce a unique experience.

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What I enjoyed about the game is that beautiful and atmospheric.  I found some of the enemies quite interesting and eerie, although this game is not a horror game.  I might do a separate post about this topic for in depth analysis.  Gameplay wise,  I personally think it’s a child version of Dark Souls.  In fact the bonfire and some enemies do have a strong resemblance to the Souls series. I don’t know much about the background for the development of making this game, but perhaps Fragile Dreams: Farewell Ruins of the Moon  had some influences on the making of Dark Souls. Again, I will leave that for a different post after I gather some actual facts.

For now, I’d like to discuss Seto’s (the protagonist) journey. Throughout the game, Seto is accompanied by caring loving companions who are not humans. About midway,  Seto comes across an interesting character named Crow, who appears to be a big tea drinker like myself based on his clothes. This section, which may seem like a side track, is my favorite part of the game.

Crow

I enjoyed chasing and  hunting down Crow because it reminded me of  playing  hide and a seek and playing tag. For a moment, I didn’t mind taking a break from trying to find the silver hair girl. This section of the game illustrated an important point made by one of the characters, Chiyo : “It’s the sunbeams, the wind rolling over grass and the idle chit chat with friends [are] the gems of life.” That moment where Seto chased Crow to get his locket back is special. We must not forget during our journey to enjoy the moment we are in. That is called living.

However, the game also wanted to make an another important point:  Crow is a robot. Even if  we find happiness in the substitution of artificial life,  including digital ones–it does not replace the real life human interaction.  Thus, it’s the silver hair girl  that can offer Seto the real authentic relationship even if it involves conflict and misunderstanding between both people. And Sai, one of the main supporting characters, helped me understand that words may not always be the best form of expression, but it’s not entirely useless. Words fill in part where visual cue fails to communicate simple things such as  Seto wants Ren, the silver hair girl, to be his girlfriend. He is tired of being alone.

A little of topic here,  but I think everyone is alone because someone once told me that feelings are personal. We are so focused on our feelings most of the time that we forget other people have feelings too. There is a tendency to lack empathy for others and most of the time it’s unintentional. This lead to much hurt and destruction in the human society. The game really wanted to point out that the lack of empathy causes pain.

Overall,  the game provided a philosophical explanation for the continuation of existence, despite the dark side of humanity.  If you haven’t play this game already, check it out. And if you have played it,  let me know what you think. I’d love to hear them.

P.S

My next post most likely will be about Root Letter. I feel inspired by The Otaku Judge to get all the endings. Then I will play  Zero Escape: Nonary Games probably towards the end of this year.  

Thanks for reading! Until next time, take care guys.

 

My Notes on Nier Automata

I highly recommend playing the game before reading this post.  I will not elaborate the storyline into details.  My intention is to share my summary of the game which may differ from yours.

For those who followed this blog from the beginning probably knew that I was anticipating for Nier Automata (2017) ever since its announcement.  In fact, I was very hungry to play another game like Nier (2010)  and was hoping Drakengard III (2013) would be just as good. To my disappointment, I  didn’t enjoy it as much mainly because of the frustrating gaming mechanics ( I didn’t enjoy flying the dragon).  And yet I stuck with it because of the storyline and it’s humorous dialogue.  I have not reached the ultimate, final boss yet which I heard was difficult.

Zero_(Drakengard)I had to stop the game because I couldn’t understand  Zero’s (the protagonist) cruel intention to kill all her sisters. The character was hard for me to relate.  I was definitely playing a killer.  But after I watched Yoko Taro’s interview Philosophy of Violence, I learned to appreciate his approach in storytelling and the concept behind it.  I realized Zero’s behavior is natural, but primitive.  Instinctively we want to remove whatever is in our path.  Defeating our obstacles give us a sense of control and remove all of our competitions.  However, if we killed everyone in our way, we would end up dying alone and the aftermath would be Nier Automata.

I came to conclusion because I had to grasp my head around this killing frenzy around Yoko Taro’s games,  so I categorize his three games that I played into the following:

  • Drakengard III- killing to be the only one
  • Nier Gestalt- killing is justified as long as you think it is right
  • Nier Automata- killing loneliness

*One important thing to note, this is just my notes for the time being.  I really would like to complete the Drakengard series *

Onward to the main topic,  so when I started Nier Automata, I already knew it was about killing.  The game started off strong, which reminded me of Xenoblade Chronicles’ introduction where the characters are thrown into battle against the machines.   Once I arrived to a safe place (a city reclaimed by Mother Nature), I sensed that I was entering a world where a great civilization (mankind in general) once stood, but mysteriously drove itself to extinction.

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All we have left are machines and androids fighting one another.  In some ways, the game has a particular viewpoint about existence, which is hard not to notice if you do the side quests. It clearly points out that all lifeforms don’t want to fight all the time– they just want to co-exist. What meaning is there to killing? Why?

covera

The real motive behind all the killing is more than just impaired thinking– it’s loneliness.   In the end, no one stands. But the tragedy is not the cycle of destruction, it’s actually the inability to view the world harmoniously, which is probably why 2B and 9S wear blindfold. They exist to take orders without comprehending their actions.

I won’t go any further into details about the game’s concept because I am beginning to develop my own theory, which is probably not what the game intended.  I do just want to mention  my overall experience with the game is good, but it is not one of my favorites. I like the first installment more partly because of nostalgia. The game did however, made me want to play Ikaruga, which has been sitting in my backlog of games to play.

Lastly, my final thought in regards to Nier Automata,  I’m starting to understand that it’s difficult to introduce big ideas and incorporate gameplay due to unforeseen limitation (e.g, technical, budget, translation etc.).  So I really do appreciate when game developers attempt to give meaning to their creation.

Well that is it for now. Thanks for reading guys. Until next time, take care!

P.S

Think I will play Fragile Dreams: Farewell Ruins of the Moon next to clear my backlog before I jump into a new game.  My backlog began to grow back in 2010-2011 when I started playing co-op/multiplayer games. It is time to seriously tackle the single-player games list!